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Michi Itami is a visual artist known for her printmaking, ceramics, paintings and digital art. Her work is held in numerous prominent collections and has been exhibited around the world. Michi was Professor Emerita at City University of New York, where she taught for over twenty years. Previously she taught at the San Francisco Art Institute and California State University, Hayward. Among the honors that she has received are a Lifetime Achievement Award from the Woman's Caucus on Art and a Distinguished Alumna award from the University of California, Berkeley.
Michi’s work is held in major museum collections including The Brooklyn Museum, The San Francisco Museum of Modern Art, the Legion of Honor Museum (San Francisco) and the National Museum of Modern Art (Kyoto, Japan). Other public collections featuring her work include the Library of Congress, Estée Lauder Foundation and the State of Hawaii, as well as several university art museums. She has sold many works to private collectors, including through her long-time association with A.I.R. Gallery in New York.
An artist of the New York School, whom Clement Greenberg hailed as “one of the best or better painters in this country,” Maurice Sievan became most known for his distinctive landscape works during the 1940s. A close friend of Milton Avery and Mark Rothko, Sievan’s career is the history of the New York art world itself, spanning the turn of the 20th century through the 1970s.
Working to the beat of his favorite music—fuel and fodder for his art—Tom Dash, formerly known as Tom Goeller, borrows from popular culture, producing mixed-media paintings, photographs, sculptures, murals, and installations through which he offers his take on Gen X and Y America. He is inspired by the 1980s and ‘90s, the decades of his youth, and by the art of appropriation, to which he had first-hand exposure while working for Richard Prince. His own work abounds with images of racecars, pinup girls, and album art, and text from song lyrics and titles of favorite artworks. In his canvases, these motifs appear enlarged and floating against loosely painted backgrounds, or repeated across the picture plane. Dash calls these compositions “post-production paintings,” referring to his privileging of subject matter over technique, with a nod to the post-everything era in which we live.
Arlene Slavin is a sculptor, painter, and print-maker who also creates large-scale public art commissions. She earned a BFA from Cooper Union and an MFA from Pratt Institute. She has been a visiting critic at University of Pennsylvania Graduate Art School, Syracuse University, the Pratt Institute, and Skowhegan Art School. She received a National Endowment Grant in Printmaking. Her work has been exhibited in the Whitney Museum Biennial and many other museums and galleries throughout the country. She is included in numerous corporate and public collections including the Metropolitan Museum of Art, Fogg Art Museum, Brooklyn Museum of Art, Cincinnati Art Museum, Orlando Art Museum, and Guild Hall Museum in East Hampton.
Slavin lives and works in New York City and Wainscott, New York.
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