Angel  from 1945 is a compelling and dynamic example of her unique approach to surrealism, which blends elements of fantasy with a deep exploration of nature and human emotion. This piece, like much of Wilcox's work, offers a vivid and imaginative landscape, filled with symbolic meaning and a sense of mystical narrative. The painting is dominated by a central path that seems to stretch infinitely toward a luminous point on the horizon. This pathway, rendered in a rich, almost otherworldly green, invites the viewer into the scene, guiding the eye directly to the heart of the work. The path is flanked on both sides by tall, twisting trees, whose branches and leaves create a surreal and almost dreamlike forest. The trees, with their vibrant colors and expressive forms, seem to pulse with life, yet they also evoke a sense of mystery and otherworldliness. Wilcox's use of color is particularly striking in Angel. The vibrant blues of the sky contrast sharply with the dark, almost ominous tones of the trees, creating a sense of tension within the piece. The sky, swirling with shades of blue and hints of red, adds to the ethereal atmosphere, making the viewer question whether this is a scene from reality or a vision from a dream. The title Angel suggests a spiritual or divine presence within the painting. This is subtly indicated by the glowing light at the end of the path, which could symbolize a gateway to another realm or an encounter with the divine. The presence of figures within the trees—one in purple and another seemingly reaching upward—further enhances this interpretation. These figures could represent souls, spirits, or even guardians of the forest, engaged in a dance or ritual that is both mysterious and sacred. The inclusion of a small, distant house on the right side of the painting adds a layer of narrative to the work. This house, surrounded by the dense, almost consuming forest, could represent the safety or sanctity of home, juxtaposed against the wild and untamed nature that encroaches upon it. The figure beside the house, possibly waving or gesturing towards the path, might be a guardian, or perhaps a figure inviting the viewer into this enigmatic world. Created in 1945, Angel reflects the broader context of the post-war period, where many artists were grappling with themes of destruction, reconstruction, and the search for meaning in a world that had been profoundly altered by conflict. Wilcox’s work, however, diverges from the bleakness that characterized much of the art from this era. Instead, she offers a vision of hope and transcendence, suggesting that through nature and the spiritual, there is a path to renewal and enlightenment. Wilcox’s style in Angel also shows the influence of surrealism, though her approach is more organic and less rigidly structured than that of her contemporaries. Her work blends surrealism with elements of folk art and fantasy, creating a unique visual language that is both deeply personal and universally resonant. The fluidity of the forms, the vividness of the colors, and the dreamlike quality of the scene all contribute to the painting's power as a work of art that transcends mere representation, inviting the viewer to engage with it on multiple levels—emotional, spiritual, and intellectual. Lucia Wilcox’s Angel captures the imagination with its rich symbolism, vibrant colors, and ethereal atmosphere. It stands as a testament to Wilcox's ability to blend the real with the surreal, the natural with the mystical, and the personal with the universal. This painting not only reflects the artist’s unique vision but also offers a timeless meditation on the themes of journey, spirituality, and the mysteries of life and nature.