Ilknur Demirkoparan
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I Want To Live Forever, No. 12, 2022
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I Want To Live Forever, No. 13, 2022
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Familiar, No. 1, 2021
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I Want To Live Forever, No. 1, 2019
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I Want To Live Forever, No. 10, 2019
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I Want To Live Forever, No. 2, 2019
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I Want To Live Forever, No. 3, 2019
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I Want To Live Forever, No. 4, 2019
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I Want To Live Forever, No. 6, 2019
As an immigrant belonging neither here nor there, I use these motifs to mark the twists and turns of my own journey towards belonging.
ARTIST STATEMENT
In my work, I strive to articulate something for which I have no name yet; a perspective deeply influenced by my position as a Turkish-American migrant belonging neither here nor there. There’s an uncertainty that animates my work precisely because those notions of identity, difference, and the false dichotomy of “east vs west” were never certain to begin with. Whereas my earlier work explores this space of otherness by evoking the bizarre and often baffling narratives of identity, my practice has since evolved to seek a connection with my heritage, which feels evermore distant and estranged.
My paintings draw inspiration from the abstract language of Turkish kilims (rugs). Historically, each motif on a kilim represents a singular idea and when woven in combination with other motifs and colors, they evoke nonverbal narratives of lives lived. For example, the burr motif, depending on its positioning, represents either a nomadic lifestyle, or survivorship after displacement. The hairband motif can mean a celebration of a joyous occasion, or more strikingly, a desire for immortality, perhaps in grief of a devastating loss. This symbolic language has endured centuries of wars, migrations, and even the rise and fall of empires to communicate the joys and the sorrows of humans in a way that transcends the boundaries of time and space. I use these motifs to mark the twists and turns of my own journey towards belonging. In many ways, my approach is similar, – in terms of practice and thinking, – to the Dansaekwha school that emerged in postwar Korea.
EDUCATION
2006 MFA, California Institute of the Arts. Valencia, CA
2004 BA, University of California, Riverside. Riverside, CA
AWARDS, GRANTS, & RESIDENCIES
2021 Grant. Regional Arts and Culture Council. Portland, OR
2020 Residency. GlogauAIR Artists Residency. Berlin, Germany
2019 Residency. ChaNorth Artists Residency. Pine Plains, NY
2019 Residency. Visiting Artist. The Evergreen State College. Olympia, Washington. USA
2018 Featured Artist. Guest Curator Program: Curator, Becca Hoffman. Foundwork.art
2010 Residency. K2 Contemporary Art Center. Izmir, Turkey
2003-2004 Fellowship. Andrew W. Mellon Foundation. University of California, Riverside, CA
2003-2004 Fellowship. Gluck Fellows Program of the Arts. University of California, Riverside, CA
RECENT PROJECTS, PERFORMANCES & SHOWS
2022 Abstract Monochrome Figures. Mark Borghi Fine Art. Sag Harbor, NY, USA
2022 [three-person] 3 Women Walk into A Gallery.Mark Borghi Fine Art. Sag Harbor, NY, USA
2022 Artists and Poems: Istanbul 2021 | Suturo.com (curated by Gul Cagin)
2022 [two-person solo] Hoscakal, Portland. MinEastry of Postcollapse Art and Culture. Portland, OR, USA
2022 Insta-select V.2. Mark Borghi Fine Art. Sag Harbor, NY, USA
2021 (Un)Natural Boundaries and Borders. Silverwood Park Gallery, St Anthony, MN
(curated by Katayoun Amcadi)
2021 [three-person] Enduring Time | Material Emergence.
MinEastry of Postcollapse Art and Culture. Portland, OR. USA.
2020 Open Studios Exhibition. GlogauAIR. Berlin, Germany.
2020 Showcase. GlogauAIR. Berlin, Germany.
2019 PARTITA II, Durden and Ray Fundraiser. Durden and Ray, Los Angeles, California. USA.
2019 Postcollapse Manifesto distribution (September 2019). Yoğurtçu Parkı. Istanbul, Turkey.
2019 Open Studios Exhibition. ChaNorth Artist Residency. Pine Plains, New York, USA.
2019 [three-person] The Other Is Not. Evergreen State College. Olympia, Washington, USA.
2017 klingt kut! International Symposium on Sound. Hamburg, Germany
2017 FAR Bazaar 2017. Cerritos College, Cerritos California, USA.
2016 [three-person] Sympathetic Resonance: An Evening of Improvised Alchemy.
Highways Performance Space and Gallery. Los Angeles, California, USA.
2016 Sympathetic Resonance and Are We There Yet? Sonorities Festival of Music, Belfast, Ireland. UK
2016 [two-person] Are We There Yet? Demo launch. University of Gothenburg, Sweden.
2013 [three-person] Chapul San Diego! Mesa College. San Diego, California, USA.
2013 Chapul’LA: An Evening of Art, Music, Food, and Chapulling.
Highways Performance Space and Gallery. Los Angeles, California, USA.
2012 7th Berlin Biennale. ArtWiki Project (curated by Artur Żmijewski & Pit Schultz)